[Below: 'The European Crusade'.]


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[Below: This is titled: 'Hands off of Europe'. Circa 1944.]


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[Below: The 'A.O.' stands for 'Africa Orientale' (East Africa). It says 'L'Italia Ha Finalmente Il Suo Impero' (Italy Finally Has Its Empire).]


[Below: The headless statue of the goddess Nike looms in the distance.]


[Below: Note that the famous statue of Nike is in the background.]


[Below: This eight foot tall marble statue of the Greek goddess Nike was created sometime in the 2nd-century BC. It is one of the most beloved and celebrated sculptures in the world and is one of a small number of major Hellenistic statues that have survived. The statues arms and head have never been found.]


[Below: The victims of the British empire, the Boers, the Indians, the Egyptians, the Arabs and the Irish, robbed and hanged.]


[Below: This Italian poster shows a hammer wielding Bolshevik soldier clutching a bleeding world.]


[Below: This powerful Italian poster shows a mother defending her child, amidst ruins caused by the British Empire.]


[Below: This poster dates from 1942. It depicts the Bolshevik Jew in New York, shaking his fist...]


[Below: Another example of powerful imagery. In Italian it says 'Defend him!'...]


[Below: This is done by the extraordinary artist Gino Boccasile.]


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[Below: This basically says 'This is their fault'.]


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[Below: This is done by the extraordinary artist Gino Boccasile.]


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[Below: This was for a lottery to supply bread to soldiers.]


[Below: Thousands of people donated their wedding rings to help the war, including Mussolini and his wife.]


[Below: 'Workers, rebuild the country', 1943.]


[Below: 'Italian workers, enlist for Germany', 1943.]


[Below: 'All and everyone for victory', 1941.]


[Below: 'Good blood doesn't lie', 1944.]


[Below: 'The work of the "Liberators", 1944.]


[Below: 'The spirit of Goffredo Mameli will defend the Republic', 1944.]


[Below: 'Buy treasury bonds from the Bank of Rome', by A. Capitani, 1942.]


[Below: 'No march on Moscow without the March on Rome', by Alberto Amorico, 1942.]


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